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Thursday 23 May 2013

The Jews of Nigeria sets for release


                                                             

   Barely a year after its exhibition in different cinemas across the world, the documentary, “The Jews of Nigeria” is finally set for release for public consumption. It is produced by Jeff Lieberman, a Canadian, who is also a journalist based in New York, who spent over eight years working on the amazing documentary.
    The Jews of Nigeria, a 93min documentary, was premiered in New York City, Quad Cinema, and last weekend. It focuses on a minority that claims to have descended from ancient Israelites. And his evident joy in Judaism. When a movie comes along and changes the way you view the world, this documentary is just such a movie.”    RE-EMERGING is the first independent film of Jeff whose work has been seen on CBS, HBO, CNN, FOX, Starz Encore, Fox Movie Channel, The Discovery Channel, and E! Entertainment.
   It hinges on members of the Igbo people of Nigeria who believe that they are descended from Jews, including individual stories and the history of the Igbo from Biblical times.
Jeff and Nigerians(Igbo)
   The film also establishes that several prominent African-Americans such as actors Forrest Whitaker and Blair Underwood, and Bishop T.D. Jakes have discovered an Igbo DNA connection, and further, that in areas like the state of Virginia, 60% of African slaves was Igbo.
  RE-EMERGING, traces a fierce spirit of independence in the Igbos from Biblical times through rebellions              during  the slave trade and the brutal 1960s Biafran War (which killed over one million Igbos) to                the Rediscovery of Judaism today. The luminous individuals featured in the film powerfully demonstrate the              Igbo’s resilience as well as their  firm commitment to Judaism.   
   The film has apparently caused a stir, for many African-Americans, who are interested in determining their genetic and ancestral background. Through the help of American historians, the film sheds new light on the origins of between hundreds to two thousands of African slaves brought to American shores, a large number of whom were Igbo.  

Movies Should Be Commercial Based- Fidelix Duker


   Fidelis Duker is one of the founding members of Nollywood, Nigeria’s movie industry, founder and director of the ABUJA INTERNATIONAL FILM FESTIVAL (AIFF), he is a foremost filmmaker, and he was a two-time President the Directors Guild of Nigeria(DGN). Three months ago he was elevated as the President of African Festival Network (AFRIFESNET), a continental network. Fidelix has vastly contributed to the metamorphosis and development of the Nollywood across the world. In this chat with OREDOLA ADEOLA, he opened up on a whole range of issues on the industry and personal experience.
You helped to discover actors like Uche Jombo, Desmond Elliot, Bukky Wright to mention but few, would you you are fulfilled?
  Fulfillment is a period when one ceases to exist. Every man has to learn how to improve on what he  has done. As regards discovery of talents, I have been in the past eighteen years as far as 1995. For me it goes beyond that to a point where I can discover as much talent as possible. I don’t feel I am fulfilled, I must be able to leave a legacy behind for posterity.
Have you been able to achieve what you planned for the industry?
 To an extent, I would say yes, in the sense that I have contributed significantly to the development of Nollywood, I was once a two-time President of the Director Guild of Nigeria, I have served as a member of governing committee, regulatory agencies, and I have also been a member of several international bodies.
What impact did you made as the former President of the Director’s Guild of Nigeria (DGN)?
Fidelix Duker
 When I came into office as the DGN President, we really didn’t have a secretariat, this I managed to institutionalize, I was also credited to have created the harmony between the other guilds, and calmed the tensions that Yoruba actors are not part of Nollywood, I worked to the extent of uniting all the various ethnic and sectional guilds together as a member of a general body of actors and directors. I was able to bridge the gap where most practitioners regardless of tribes became the members of the guild, some of them include, Anta Laniyan, Lanre Olanrewaju, Abe Lanre Olaolu Richard, Ebun Olaiya, Lekan Ayinde who were into Yoruba movie production.
 I was able to bring Hausa movie producers into the Guild too. It is also on record that during my tenure, we were able to create a synergy with international guilds and directors. We had affiliation and partnership with them. During my tenure, were able to increase our membership strength and also to establish a functional website for the Guild. We registered over 40 Nigerian film makers. I went to American to sell the film industry to create the awareness which people are enjoying today. We were in about five states in American.
Are your legacies being sustained by successive leadership of the guild?
Yes, things are revolving. Infact assess we had then was not as much as what obtains today. Then we relate with the ministers and today the guild relates with the President frequently. What we were able to do was to lay the foundation for successive leadership. During our time we were fighting for funds from government.  We also tried to register Nigeria as a member of Cannes Film Festival in France, today Nigeria has a stand at the annual festival. To a large extent, every leadership has made substantial effort aimed at building and it is continuous.
What is your take on Nollywood morally and commercially?
I believe that culture should be promoted. We believe that Nollywood producer is a commercial producer who raised funds on his own, and must plan out a strategy to making returns. Being commercial does not mean you should not add creativity to your movies, we must realize when making commercial gains and moral impartation that the end result is not profit. We should realize that the population of over one hundred and eighty million people in the country is a good opportunity to thrive. We do not need any other market in the world to succeed.
For a lady Ibinabado Fiberisma, to have brought peace to the guild, does it make her batter than men?
 The most important part of leadership is not about the sex of the leadership. Ofcourse , it is possible for women to have more opportunities as mothers , but the industry is an evolving industry , Ibinabo Fiberesima the current President of the guild, could possibly be capacitated to stabilize the guild, she met  a different environment unlike others. During my tenure, the amount we had was less than N20 thousand, but we left millions; this has been replicated by successive government. She has tried to bring peace to the guild, and she deserves our commendation. She has done creditably well considering the way she came. She needs to engage our members and members should try and return the gesture. The guild should be a networking environment for people to exchange ideas
How effective has Abuja Film Festival been in the past nine years?
Interestingly, the festival will be 10 next year, in 2014. It is one of the foremost festivals in Nigeria and in Africa, especially in all Anglophone countries in Africa. It is the longest running festival in West African countries. It is competing with FESTACO that has long been in existence. We have done very well in view of our limited resources. This year will be different as we shall be engaging more agencies of government as well as corporate organizations for support.
What should we be expecting this year? 
Abuja Film Festival, will holds in September in the city of Abuja at the Silverbird Galleria, and we shall be focusing on several factors, which include, reflection of our success in the last ten years. We shall also honour those who have supported the festival in the last few years. It is a celebration of films business in Africa. The theme will be: “Using Motion Pictures as a Medium for Security” inview of the security challenges in the country since independence. When the country is not secure, there can’t be peace and we practitioners can’t survive. We shall be seeing to how we can engender peace keeping with our jobs

Tuesday 7 May 2013

Kevin Luciano emerges interim PMAN president


      

Questionmark Entertainment boss, Kevin Lucciano Gabriel, emerged as the new interim president of the Performing Musician Association of Nigerian (PMAN).
Kelvin Lucciano
Lucciano was appointed after his opponent Mr Skid Ikemefuna stepped down. Popular 90's musician Mike Okri will serve as Lucciano's deputy. Okri defeated Oritz Wiliki for the post of PMAN deputy president. Singer Azeezat emerged as the new treasurer while Maureen also known as Mama Entertainment emerged as the second deputy president for the interim government.
As part of his plans for the union, Lucciano stated his desire to bring change to the union, a change that will hopefully attract younger musicians to the union. A new election will be held 18 months from now.

ASA’S N700M LESBIANISM CASE SUFFERS SETBACK


                                  
Bukola Elemide

    Multiple awards winning soul singer, Bukola Elemide,  a.k.a  called Asa’s Lesbianism case got stalled recently at Lagos High Court. She is in a court libel case of N700 Million suit filed against Dockland Communication Services, over a story published by News of the People on December 14-22, 2009 edition of the magazine with the caption "Lesbianism trails Asa and Manager" which alleged that the singer and her manager were involved in lesbian practice.
   The soul singer and her manager, in the suit, want the court to declare that the allegation of lesbianism against them was false, illegal and a violation of their rights. They also want the defendant restrained from further publication of malicious statements against them.
   The case before Justice Coker was to be heard when her star witness, Damilola Amolegbe was said to have declined to be called as a witness, she told Asa’s lawyers that she can’t be a witness in Asa’s matter.
   Having granted the music star much indulgence in the matter, the trial Judge then ordered the case to be closed and called for written address of the two parties.
   In earlier trail of the case, Asa’s first witness, Taiwo Olakunle of HiTv, had dropped the case when she was confronted with hard evidences. Asa’s manager, Janet Nwose, who was alleged to have carried the act out with Asa refused to appear as a witness, an act which legal experts sees as mystifying.
   However, the defendant’s lawyer, Yinka Muyiwa argued that Asa’s evidence shall be relied as he did not call for any witness

ACTORS ARE NOT DRUG PEDDLERS - Prince Jide Kosoko


                             
Prince Jide Kosoko, is the former National president of Assocation of Nigerian Theatre Practitionals, a veteran actor and a foremost producer in the movie industry, Kosoko is presently the de-facto President of the association. In this interview with OREDOLA ADEOLA, he shares his challenges, the growth and revolution in the movie industry, he has this to say concerning Nollywood. Excerpts

There has been controversy between ANTP and NANTAP, What are the issues that brought about these controversies?
   At this level, I won’t like to comment on the two associations, the controversy has been on for quite a while and my focus for now is to see to how we can mend fences and not to craft needless argument, that can lead to accusation and counter accusation by overtly delving deep into matters surrounding its formation, my focus for now is to ensure the continuous development and growth of the industry as well as how to solve hitches confronting this profession and the industry at large, rather than jostling for supremacy. I am sorry, I can’t react to that for now. All I know is that ANTP has been in existence and registered several years by Late Herbert Ogunde between 1972 and 1973.
 There is this accusation that ANTP members do not have the academics training, is this true?
 I won’t take that, from anyone, I will be hearing this from you for the first time, and this is clearly imaginary and absolutely untrue, do the research, you would discover that we have the largest numbers of graduates, it is the kind of indigenous production that we do, that tend to give some people the impression that we are not education. Apparently, people tend to make meaning out of the whole matter by describing NANTAP as consisting of graduates, and ANTP as consist of actors who seems to be describe as the indigenous language group and graduates, though the two assumptions don’t really reflects what constitutes the  two association. The inaugural formation of our association i.e. ANTP was done by the father of theatre, the Late Herbert Ogunde whose followers and productions were more of Yoruba ethnic group, having the likes of Late Duro Ladipo and  Ogunmola . I make bold to inform you that we have the largest community of both graduates and uneducated thespians, when compared with any associations in Africa, ANTP has the largest number of graduates. We are the largest association that has employed more actors.
What are the professional challenges in the movie industry?
   The major challenges facing the industry precedes movie making, it started way back when the then military government introduced the Structural Adjustment Programme(SAP) , which triggered economic depression, this caused the revolution that stirred the introduction of the home video, this development also inspired Late Alade Aromire to introduce home video production, really the introduction encountered serious confrontation by most of us who were practitioners including Baba Ogunde. The struggle was against the introduction of home video in support of celluloid production, but our struggle at that time never materialized because. We decided to join Alade Aromire in the making of home video no thanks to the economic recession, going by the saying “if you can’t beat them, you join them”  but we took it a step further, by presenting it in a modern technology, our production was a combination of both village and urban settings , I produced the movie ASIRI NLA, in 1991 which was released in 1992, this was one of the  notable film that actually exposed the movie industry, we introduced all the modern technicalities resulting to industry upgrade. I also produced “ASEWO TO N’RE MECCA” the same period which was completely urban shot, the likes of Tade Ogidan and Tunde Kelani later joined us having noticed the success we were able to record, they had to jettison celluloid production for home videos production.
What then is your stand on Nollywood at 20 as claimed by NANTAP?
 Apparently, my analysis on the issue of movie making is clear and there is no need bragging about this, for those who feel like celebrating their Nollywood at 20, they are at liberty to celebrate, since that was when they started, we have been in operation before that time, going by my account and the facts are there for the world to see, anybody is free to tell his or her own story in any form that suits. Our position is that we have been in the business of movie making since thirty seven years ago. So Nollywood is not 20 but it is 37, when the time is right we shall roll out drum and celebrate, in fact, preparation for this has commenced, and notice of the date would be made available for the public. It is important to note that Dr. Ola Balogun who was the producer of their self-acclaimed first movie, LIVING IN BONDAGE, has been working with us in the production of home movies? So what are we saying who is fooling who?
Is it true that some of your members now have access to the federal government’s N3billion largesse?
Hahaha(Laugh), that information is untrue. I am a member of the ministerial committee in charge of this matter, my response is NO, and this is a creation from some people. There are criteria which must be met before the disbursement, the aims of that cash if given out is to actually uplift the industry and not a Father Christmas gift, as such there are guidelines to be met. Before any form of disbursement there shall be information addressed to the press. In fact, while cautious and not to dictate for the committee, please not it is an opinion, my personal view is that, the cash is not the solution to the problem we are confronting in the industry, Nollywood is bigger than that cash; the reality is that we need an enabling law which would further address the major challenges facing the industry. Effort must be ensured to consider dispassionately our distribution network and problems of piracy, before such money could make any impact, the distribution network must be structured to address adulteration and respect of copyright, this would go step further to address piracy, and no amount of cash would solve the problems
As Elder statesman in the movie industry what effort are in place to addressing sexual harassment in the industry especially the one which seems to be the condition for featuring a young or new act?
  It is important that we enlighten the public on this matter, we have ensured that efforts are geared toward professionalism and as a person, i don’t easily give in to mediocrity, what I am saying is that no good producer will see a talent and drop it for lesser talents, a producer who knows his onions dares not demand sex from interns before being in a movie, the jobs of a producer would be much easier, if he or she is talented. Understand this, that demand  for sex or what have you, is predominantly in every profession, including the media and the financial institutions, so what the hoax all about is.
  My understanding of sexual harassment is when two persons who really don’t agree, comes together and that alone is rape. If a person is not picked because she doesn’t meet the requirements of a good actor or actress in the industry, she then attributes that to the producer’s demand for sex, which make you believe that all producers are sex addict and mindless thereby attributing it to the entire industry? No way, as far as I am concerned, there has never been any reported case of sexual assault and I need you to present me with evidence to show that our members were caught in this act.
At ANTP, our efforts have always been to enforced discipline and we shall always up this task.  For those who feels that getting to the industry is by cutting corners through offe ring their body for a role, shame on them. If you are talented you don’t have to come through the back door to be featured in a movie. Directors and producers needs a good act that is capable of narrating their script, this tend to make their work much easier.
What do you have to say concerning drug peddling amongst your members?
  My brother, the truth is you media are the brain behind this junks, you seems to craft that assumption to impress on the public or perharps do the practitioner harm. Till date, how many actors have been caught in this act? I stand to be corrected, my record has just two and even from the two, report has come out to vindicate other. Since only two cases have been reported, does it necessarily mean that all the practitioners are culprits or drug tycoon?
  We are bigger than any scandals that anyone could come up with, because, people should be objective at coming up with information, Nollywood is a profession that has done a lot of good to this country, than the allegation people script up to bring us down.
What is your relationship with Alh. Adebayo Salami, there seems to be a rumour of leadership struggle?
No, Alh. Adebayo Salami , is a good friend and forever will be , we have been together right from the days of Baba Mero, when I started this career in 1972, we rehearse together  at King Sunny Ade’s Hotel, and till date we have been good friends. He was my predecessors and where is the fracas coming from, we are fine and no struggle whatsoever between us.
What is your secret as you seem to look more handsome than ever?
Hmm, I would attribute my looking healthy and strength to God, also, I really don’t engage myself with unusual thought, I take all things light and easy.  I do regular medical checkup and watch the kind of food consume, I visit the hospital regularly after hard days in location.in the industry except a proactive effort by government and the practitioners.
What is your take on the rumour making round that the National Art Theatre, Orile Iganmu, is up for sale?
See that is just a rumour and far from the truth , we need to be educated  on this matter, the master plan for the National Arts theater is well structured to accommodate developmental projects ,which includes a five star Hotel and other major structures, so, the Minister if properly understood, intention is that the government will be putting up a five start hotel in the environment surrounding the theatre and it does not necessarily means that they have the intention of putting it up for sales. There is no point wasting time on that, it is not for sales.
Politics seems to be a trend amongst your Nollywood actors, did you have any political plan?
I am a politician and will always be one, remember being in politics does not necessarily have to be elective, I possibly could be doing something good at the background that is not obvious to everyone, in terms of supporting my immediate community and influencing developmental changes, I see myself as a leader and if the call to serve comes why not? I am readily available to do that
When will you be handing over to a new head?
Yes, I have already used up my terms in office, I currently occupy the position as a de-facto leader, holding on to the affairs of the association, of course an election was conducted few months ago, there has been issues surrounding the election, the parties involved has been taken to court for settlement and by the time the court decides we shall swear in a new leader.

THE RISE AND RISE OF TUFACE IDIBIA


                                          
 THE RISE AND RISE OF TUFACE IDIBIA
“..But everybody knows that people rise and fall… some rise up again just to stand up tall, and wiser and stronger … no matter how long you live… you cannot learn it all...you only do your best” – lyrics in the hit track, “YOU NO HOLY PASS”  from the second album of  Tuface Idibia  titled “ FACE TO FACE”
-OREDOLA ADEOLA
   The rise to stardom of Innocent Ujah Idibia, fondly called Tuface is dated back to when he was with the defunct group, PLANTASHUN BOYZ. That group he formed with the duo of Black Face and Face is credited as one of the pioneers of Nigerian Hip Hop Music by industry pundits. The group went ahead to dominate the entire music industry with some of its great hits between 2000 and 2003 from their two albums. They later parted ways in 2004. Back then, none, except for the most prescient could know that a star, that would rule the entire music industry was about to emerge christened -Innocent Ujah Idibia aka Tuface.

Following the split of the band, Tuface under the management of Efe Omoregie, of Now Music, launched his successful solo career with the Kennis Music label. In 2006, he later emerged a household name following the release of his evergreen “African Queen” debut, which won him the most prestigious MTV music award.

Although, the PLANTASHUN BOYZ group made an effort to re-unite in 2007, with the compilation of songs for an album, but the Nigerian music fans had become more appreciative of his new found solo act than the collective effort of a group. The re-union album was not a commercial success due to poor market response.
Tuface Idibia, also known as Tu-Baba, gradually emerged as a maestro of contemporaneous Afro hip-hop music genre. He is recognized for projecting the Nigerian Music Industry to a higher level and garnered acceptance from across the world. This gesture signaled the emergence of other top musicians who today sees Tuface, as a mentor and a force to reckon with, as far as African hip hop music is concerned.

Having instituted himself in the Africa music scene, he proceeded to setting up his own record label; Hypertek Entertainment, which he used to nurture burgeoning  talents,  after the expiration of his contract with Kennis Music. The entertainment outfit has produced top industry acts including and not limited to Dammy Krane.

Tuface has performed with international A-list artistes including Akon, Wyclef and Bennie Man, he was also part of Sony All African One8 Project which featured Prince Lee and R.Kelly, in a song titled “Hands Across the World”. He is the first non- liberian to have become a honourary member of Liberian music society in recognition of his contribution to the growth of Africa Music.

He has not only become a household name, but has always been in the forefront of mending the once dented image of the country prompted by vices and internet scams, synonymous with Nigerian Youths across the world. Having garnered respect for himself and the country through music, Tuface raked in several world class awards and laurels for himself, prominent amongst which is his being made International Peace Ambassador.

Tu Baba, as he is fondly called, is a different personalty to different people, to many of his teeming followers, he is today rated as one of the richest African music artiste cum album producer, with several investment and brand endorsement both locally and internationally.

Apart from his musically career, he also owns massive investment in real estate and stocks exchange market. His benevolence is measured through charity services, which he founded in 2009, a NGO called TuFace Idibia Reach-Out Fundation. He was selected as an Ambassador of National Agency for Food and Drug Administration and Control (NAFDAC).

He released a song titled "Man Unkind" with the aim of raising awareness on the menace of fake and sub-standard food and drug products in Nigeria, in 2009. He was presented with the prestigious International Youth Ambassador for Peace Summit and the Nigeria Youth Merit Award by the National
Youth Council of Nigeria in recognition of his contributions to youth development in Nigeria.

Rated as African most influential celebrity, amidst the controversy of having had several lovers with many children, he later married his first love, Annie Macaulay, in faraway United Arab Emirate. A marriage, which event planners rated as the best ever from a celebrity , gulping over N50 million, going by the size of budget and net cost of gifts and accessories that was expended on the celebrity wedding.

Tuface’s assets are projected to be worth around N550 million.The main sources of his wealth springs from various endorsement deals, with brands like Guinness and Airtel, where he earned N20 million and N22 million respectively. He also earned N30 million from the movie “Phat Girls”, while his fee for shows stands between N4 million and N5 million. His latest album, released last year was signaled to have sold over 10 million copies coupled with earnings from other albums released between 2004 and 2011.
 
Almost thirteen years on since he gained prominence, Tuface Idibia, continues to hold sway as King of contemporary music, with one foot in the pantheon of African musical greats, as his music will surely transcend generations, thanks to its lyrical content and philosophical in-depth pulsating rhythms.

“I am committed to recovering all the stolen wealth taken from Africa” he once boasted.